Last week, we were looking at how Public Enemy's collaboration with Anthrax set the stage for nu-metal, and I touched on the soundtrack for Judgment Night in 1993 (*kept saying 1994 in the recording, apologies) being something that furthered the potential for that genre to happen. Judgement Night also set the stage for further crossovers with metal. This week, we take a look at how the rise of electronic music to popular culture in soundtracks allowed the soundtrack for Spawn to happen, which was full of metal and electronic collaborations, a crossover style that's still alive and kicking.
- Aerosmith & Run DMC - Walk This Way
- Jesus Jones - International Bright Young Thing
- Ministry - Thieves
- Helmet & House Of Pain - Just Another Victim
- Biohazard & Onyx - Judgment Night
- Stabbing Westward - Lost
- Orbital - Sad But True
- The Prodigy - Voodoo People
- Leftfield ft. John Lydon - Open Up
- Brian Eno & U2 - Always Forever Now
- Moby - God Moving Over The Face Of The Waters
- New Order - Temptation (1987 version)
- Underworld - Born Slippy [NUXX]
- Orbital - The Saint
- David Bowie - Dead Man Walking
- Filter & Crystal Method - (Can't You) Trip Like I Do
- DJ Spooky & Metallica - For Whom The Bell Tolls (The Irony Of It All)
- The Prodigy & Tom Morello - One Man Army
- Goldie & Henry Rollins - T-4 Strain
- Atari Teenage Riot & Slayer - No Remorse (I Wanna Die)
- Korn & Skrillex - Get Up
- Tom Morello & Knife Party - Battle Sirens
- REZZ & Underoath - Falling
Version: 20241125
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